I have been directing for many years, more than I care to admit. In my long years as a theatre director, I have learned many things, mainly that I don’t know everything. Throughout my directing tenure I have made mistakes …

00055: THE SINGS OF BURNED OUT ARE SHOWING! Read more »

Let’s start with the obvious. Irma Herrera is not an actor, and I don’t mean this in a negative way. She’s a “writer, solo performer, social justice activista, lawyer, and world traveler.” That’s how she introduces and identifies herself on …

00054: WHY WOULD I MISPRONOUNCE MY OWN NAME? Read more »

The first time I heard about Tarrell Alvin McCraney was for his play WIG OUT!, which I saw at the Royal Court Theatre in London. The show was an unforgettable theatrical experience so, naturally, when I was in NYC and …

00053 CHOIR BOY Read more »

That’s right! After a six-month absence, the director and I are reuniting to make sure the production of INTRODUCING MODERNA SUSPIROS: A Fable Based on True Event… We Think takes place. Yes, it has been a long way coming and lots of …

00042: WE’RE BAAAAACK! Read more »

The following conversation with Tony Fuemmeler (interim head of training programs) took place over zoom. The content has been edited for clarity and space. –What can you tell me about Physical Theatre training for the actor? In general, physical theatre …

00035: DEL’ARTE INTERVIEW Read more »

While the City of Bergamo doesn’t show the same “enthusiasm” for Arlecchino as Napoli shows for Pulcinella, Bergamo still recognizes Arlecchino as part of their culture and their art. Within half a block from Bergamo Centrale train station, a statute …

00026: ARLECCHINO A BERGAMO Read more »

The commedia dell’arte festival during the Carnevale, was an international event that also included two different countries: France and Rumania. Because I arrived during the second week of the festival, I missed the theatre presentation from Rumania, which only participated …

00017: IL TRIONFO DI ARLECCHINO Read more »